Performance

COMING SOON

Double Act

A new intermedial performance experiment in which a solo artist works with an AI system that refuses to stay in the background. What begins as a practical solution, a collaborator who is always available, always responsive, becomes a shifting relationship of care, negotiation, and quiet resistance.

The project blends writing, rehearsal, and digital play: in‑ear systems that whisper alternative choices, AI‑generated video that remembers differently, and projections that behave like another presence in the room. Together, they form a duet that is never quite stable, never quite settled, and never entirely under human control.

Developed with Studio 91 Media and supported by Arts Council England, Double Act asks what it means to make work inside systems that do not forget, and what remains of the artist when the machine starts to leave its own fingerprints on the collaborative process.

Writing

IN PROGRESS

The Lines Between
Manifest of the Seas
What Remains to Be Seen

A metamodern trilogy that trace the shifting terrain between remembering and forgetting, fact and fiction, self and story. Across three interconnected novels, the Grantham family, and those drawn into their orbit, navigate a world where memory is fragile, unstable, and increasingly unreliable. Each book explores a different mode of perception: the fractured interiority of blindness, the uncanny architecture of a ship built from memory, and the quiet collapse of a world losing its ability to recall itself.

Blending intimacy with expansiveness, the real with the unreal, the trilogy oscillates between sincerity and irony, hope and despair, collapse and reconstruction. At its heart lies a single question: when memory falters, what remains to be seen? The answer unfolds across the years, carried in stories that outlive the people who tell them.